Supervising Sound Editor / Re-Recording Mixer / ADR Mixer
Getting his start at Goldcrest Post, and now with over 100 television and film credits under his belt. In just six years, Tristan Baylis has quickly made a name for himself in the post-production community as a rising talent. Most notably for his work as the Dialogue Editor + Pre Mixer and ADR + Loop Group Supervisor of A24’s Waves, “Best Independent Film” Winner by the Hollywood Critics Association. Quoted by Variety, “Movies of this caliber come along seldom to never,” unlike the attention to detail and emotionally-evoking sonic character Baylis brings to his mixes.
"Sound has always been a significant part of my life. I started through music, playing the trumpet and French horn (as most seven-year-olds dream to do, of course) as a young country boy in the U.K. Then, as most angsty teens would, I transitioned to percussion and strings, and began touring as a professional skiffle band musician. Unsure what a skiffle band is? Yeah, me too, at first. Let’s just put it this way — The Beatles were a skiffle band before they were The Beatles. Skiffled-out, having not reached Beatle-status, I continued to transition my love for music into sound editing and mixing, and voilà."
His work for highly-acclaimed movies and shows, such as Netflix’s Most-Watched True Crime Series of 2019, Conversations with a Killer: The Ted Bundy Tapes, brings a distinct spirit and joy of artistic collaboration, juggling roles as a Re-Recording Mixer, Supervising Sound Editor, and ADR-Mixer.